Stone
river walk near Adolfstrom, Sweden, foraging pigment
Traces will remain, 2020
indexical trace - Carbon Black, Iron Oxide and Haemetite
Rock rubbings from found stone near Adolfstrom, Sweden, 25km from the Arctic Circle
Kintsugi - the last of the gold leaf
Shattered
Red Sandstone from Freshwater West, with Firenze Gold Leaf, 2018
Split
Green Siltstone from Whitsand Bay, with Firenze Gold Leaf, 2018
Fault
Red Sandstone from Freshwater West, with Firenze Gold Leaf, 2019
Stone, and ‘that elusive contour between volume and space’
Artist’s Book, raw pigment and safflower oil polished into Fabriano 5 paper, 2016
using 0.5g raw pigment / volume to surface area
mussell shell
jade
green earth from verona
slate grey light stone chalk
slate grey dark stone chalk
malachite
lapis lazuli light
lapis lazuli dark
green jasper
aegerine
chrome iron stone
Fugitive
‘A colour which is made of azurite and giallorino is green...’
excerpt from Cennino d’Andrea Cennini’s recipe for ‘the most handsome of colours for foliage’ (early 1400s)
handpolished and carved Bologna Chalk gesso panel, 76 x 52cm, 2013
for Rhod in Roath Cardiff, 2013
‘A colour which is made of azurite and giallorino is green...’
excerpt from Cennino d’Andrea Cennini’s recipe for ‘the most handsome of colours for foliage’ (early 1400s)
handpolished and carved Bologna Chalk gesso panel, 76 x 52cm, 2013
for Rhod in Roath Cardiff, 2013
Cut and Polished - the last of the Blue Lias
Blue Lias Limestone from the Bridgend Seam and Beeswax, 2012
for Becoming, at the Old Library, Cardiff, 2012
Displaced . carved line painted
Marble Step Fragment, London, carved and polished into slate, Eryri, 2012
︎ Pigment Fresco ︎
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